• If

    Rudyard Kipling

    If you can keep your head when all about you
    Are losing theirs and blaming it on you;
    If you can trust yourself when all men doubt you,
    But make allowance for their doubting too:
    If you can wait and not be tired by waiting,
    Or, being lied about, don’t deal in lies,
    Or being hated don’t give way to hating,
    And yet don’t look too good, nor talk too wise;

    If you can dream—and not make dreams your master;
    If you can think—and not make thoughts your aim,
    If you can meet with Triumph and Disaster
    And treat those two impostors just the same:.
    If you can bear to hear the truth you’ve spoken
    Twisted by knaves to make a trap for fools,
    Or watch the things you gave your life to, broken,
    And stoop and build’em up with worn-out tools;

    If you can make one heap of all your winnings
    And risk it on one turn of pitch-and-toss,
    And lose, and start again at your beginnings,
    And never breathe a word about your loss:
    If you can force your heart and nerve and sinew
    To serve your turn long after they are gone,
    And so hold on when there is nothing in you
    Except the Will which says to them: "Hold on!"

    If you can talk with crowds and keep your virtue,
    Or walk with Kings—nor lose the common touch,
    If neither foes nor loving friends can hurt you,
    If all men count with you, but none too much:
    If you can fill the unforgiving minute
    With sixty seconds’ worth of distance run,
    Yours is the Earth and everything that’s in it,
    And—which is more—you’ll be a Man, my son!

  • The Despot

    Edith Nesbit

    The garden mould was damp and chill,
    Winter had had his brutal will
    Since over all the year’s content
    His devastating legions went.

    Then Spring’s bright banners came: there woke
    Millions of little growing folk
    Who thrilled to know the winter done,
    Gave thanks, and strove towards the sun.

    Not so the elect; reserved, and slow
    To trust a stranger-sun and grow,
    They hesitated, cowered and hid
    Waiting to see what others did.

    Yet even they, a little, grew,
    Put out prim leaves to day and dew,
    And lifted level formal heads
    In their appointed garden beds.

    The gardener came: he coldly loved
    The flowers that lived as he approved,
    That duly, decorously grew
    As he, the despot, meant them to.

    He saw the wildlings flower more brave
    And bright than any cultured slave;
    Yet, since he had not set them there,
    He hated them for being fair.

    So he uprooted, one by one
    The free things that had loved the sun,
    The happy, eager, fruitful seeds
    That had not known that they were weeds.

  • Brahma

    Ralph Waldo Emerson (1803-1882)

    If the red slayer thinks he slays,
    Or if the slain think he is slain,
    They know not well the subtle ways
    I keep, and pass, and turn again.

    Far or forgot to me is near;
    Shadow and sunlight are the same;
    The vanished gods to me appear;
    And one to me are shame and fame.

    They reckon ill who leave me out;
    When me they fly, I am the wings;
    I am the doubter and the doubt,
    And I the hymn the Brahmin sings. The strong gods pine for my abode,
    And pine in vain the sacred Seven;
    but thou, meek lover of the good!
    Find me, and turn thy back on heaven.

  • The Law of the Jungle (excerpt)

    Rudyard Kipling

    Now this is the Law of the Jungle —
    as old and as true as the sky;
    And the Wolf that shall keep it may prosper,
    but the Wolf that shall break it must die.
    As the creeper that girdles the tree-trunk
    the Law runneth forward and back —
    For the strength of the Pack is the Wolf,
    and the strength of the Wolf is the Pack.

  • A Noiseless Patient Spider

    Walt Whitman

    A noiseless patient spider,
    I mark’d where on a little promontory it stood isolated,
    Mark’d how to explore the vacant vast surrounding,
    It launch’d forth filament, filament, filament, out of itself,
    Ever unreeling them, ever tirelessly speeding them.

    And you O my soul where you stand,
    Surrounded, detached, in measureless oceans of space,
    Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,
    Till the bridge you will need be form’d, till the ductile anchor hold,
    Till the gossamer thread you fling catch somewhere, O my soul.

  • It is Thee

    Jalaluddin Rumi (A.D. 1207- )

    The voice said, ‘There is no room for Me and Thee.’
    The door was shut.

    After a year of solitude and deprivation he returned and knocked.
    A voice from within asked, ‘Who is there?’
    The man said, ‘It is Thee.’
    The door was opened for him.

  • The Deacons Masterpiece

    A LOGICAL STORY
    Oliver Wendall Holmes

    Have you heard of the wonderful one-hoss shay,
    That was built in such a logical way
    It ran a hundred years to a day,
    And then, of a sudden, it-ah, but stay,
    I’ll tell you what happened without delay,
    Scaring the parson into fits,
    Frightening people out of their wits,-
    Have you ever heard of that, I say?

    Seventeen hundred and fifty-five.
    Georgius Secundus was then alive,-
    Snuffy old drone from the German hive.
    That was the year when Lisbon-town
    Saw the earth open and gulp her down,

    And Braddock’s army was done so brown,
    Left without a scalp to its crown.
    It was on the terrible Earthquake-day
    That the Deacon finished the one-hoss shay.

    Now in building of chaises, I tell you what,
    There is always somewhere a weakest spot,-
    In hub, tire, felloe, in spring or thill,
    In panel, or crossbar, or floor, or sill,
    In screw, bolt, thoroughbrace,-lurking still,
    Find it somewhere you must and will,-
    Above or below, or within or without,-
    And that’s the reason, beyond a doubt,
    That a chaise breaks down, but doesn’t wear out.

    But the Deacon swore (as Deacons do,
    With an "I dew vum," or an "I tell yeou")
    He would build one shay to beat the taown
    ‘N’ the keounty ‘n’ all the kentry raoun’;
    It should be so built that it couldn’ break daown:
    "Fur," said the Deacon, "’t’s mighty plain
    Thut the weakes’ place mus’ stan’ the strain;
    ‘N’ the way t’ fix it, uz I maintain,
    Is only jest
    T’ make that place uz strong uz the rest."

    So the Deacon inquired of the village folk
    Where he could find the strongest oak,
    That couldn’t be split nor bent nor broke,-
    That was for spokes and floor and sills;
    He sent for lancewood to make the thills;
    The crossbars were ash, from the straightest trees,
    The panels of white-wood, that cuts like cheese,
    But lasts like iron for things like these;
    The hubs of logs from the "Settler’s ellum,"-
    Last of its timber,-they couldn’t sell ’em,
    Never an axe had seen their chips,
    And the wedges flew from between their lips,
    Their blunt ends frizzled like celery-tips;
    Step and prop-iron, bolt and screw,
    Spring, tire, axle, and linchpin too,
    Steel of the finest, bright and blue;
    Thoroughbrace bison-skin, thick and wide;
    Boot, top, dasher, from tough old hide
    Found in the pit when the tanner died.
    That was the way he "put her through."
    "There!" said the Deacon, "naow she’ll dew!"

    Do! I tell you, I rather guess
    She was a wonder, and nothing less!
    Colts grew horses, beards turned gray,
    Deacon and deaconess dropped away,
    Children and grandchildren-where were they?
    But there stood the stout old one-hoss shay
    As fresh as on Lisbon-earthquake-day!

    Eighteen hundred;-it came and found
    The Deacon’s masterpiece strong and sound.
    Eighteen hundred increased by ten;-
    "Hahnsum kerridge" they called it then.
    Eighteen hundred and twenty came;-
    Running as usual; much the same.
    Thirty and forty at last arrive,
    And then come fifty, and fifty-five.

    Little of all we value here
    Wakes on the morn of its hundredth year
    Without both feeling and looking queer.
    In fact, there’s nothing that keeps its youth,
    So far as I know, but a tree and truth.
    (This is a moral that runs at large;
    Take it.-You’re welcome.-No extra charge.)

    First of November,-the Earthquake-day,-
    There are traces of age in the one-hoss shay,
    A general flavor of mild decay,
    But nothing local, as one may say.
    There couldn’t be,-for the Deacon’s art
    Had made it so like in every part
    That there wasn’t a chance for one to start.
    For the wheels were just as strong as the thills,
    And the floor was just as strong as the sills,

    And the panels just as strong as the floor,
    And the whipple-tree neither less nor more,
    And the back crossbar as strong as the fore,
    And spring and axle and hub encore.
    And yet, as a whole, it is past a doubt
    In another hour it will be worn out!

    First of November, ‘Fifty-five!
    This morning the parson takes a drive.
    Now, small boys, get out of the way!
    Here comes the wonderful one-hoss shay,
    Drawn by a rat-tailed, ewe-necked bay.
    "Huddupl" said the parson.-Off went they.
    The parson was working his Sunday’s text,-
    Had got to fifthly, and stopped perplexed .
    At what the-Moses-was coming next.
    All at once the horse stood still,
    Close by the meet’n’-house on the hill.
    First a shiver, and then a thrill,

    Then something decidedly like a spill,-
    And the parson was sitting upon a rock,
    At half past nine by the meet’n’-house clock,-
    Just the hour of the Earthquake shock!
    What do you think the parson found,
    When he got up and stared aroumd?
    The poor old chaise in a heap or mound,
    As if it had been to the mill and groundl
    You see, of course, if you’re not a dunce,
    How it went to pieces all at once,-
    AII at once, and nothing first,-
    Just as bubbles do when they burst.

    End of the wonderful one-hoss shay.

  • Languages

    Carl Sandberg

    There are no handles upon a language
    Whereby men take hold of it
    And mark it with signs for its remembrance.
    It is a river, this language,
    Once in a thousand years
    Breaking a new course
    Changing its way to the ocean.
    It is mountain effluvia
    Moving to valleys
    And from nation to nation
    Crossing borders and mixing.
    Languages die like rivers.
    Words wrapped round your tongue today
    And broken to shape of thought
    Between your teeth and lips speaking
    Now and today
    Shall be faded hieroglyphics
    Ten thousand years from now.
    Sing–and singing–remember
    Your song dies and changes
    And is not here tomorrow
    Any more than the wind
    Blowing ten thousand years ago.

  • "Hope" Is A Thing With Feathers

    Emily Dickinson

    And sweetest in the gale is heard;
    And sore must be the storm
    That could abash the little bird
    That kept so many warm.

    I’ve heard it in the chillest land
    And on the strangest sea,
    Yet never, in extremity,
    It asked a crumb of me.

  • A Recollection

    John Peale Bishop

    Famously she descended, her red hair
    Unbound and bronzed by sea-reflections, caught
    Crinkled with sea-pearls. The fine slender taut
    Knees that let down her feet upon the air,

    Young breasts, slim flanks and golden quarries were
    Odder than when the young distraught
    Unknown Venetian, painting her portrait, thought
    He’d not imagined what he painted there.

    And I too commerced with that golden cloud:
    Lipped her delicious hands and had my ease
    Faring fantastically, perversely proud.

    All loveliness demands our courtesies.
    Since she was dead I praised her as I could
    Silently, among the Barberini bees.

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