A mermaid found a swimming lad,
Picked him for her own,
Pressed her body to his body,
Laughed; and plunging down
Forgot in cruel happiness
That even lovers drown.

To laugh is to risk appearing the fool;
To weep is to risk appearing sentimental;
To reach out for another is to risk involvement
To expose feeling is to risk exposing your true self.

To place your ideas and your dreams
before the crowd is to risk their loss
To love is to risk not being loved in return
To hope is to risk despair
To try is to risk failure
To live is to risk dying.

But risk must be taken,
because the greatest hazard in life
is to risk nothing.
The person who risks nothing, does nothing,
has nothing and is nothing;
They may avoid suffering and sorrow,
but they simply cannot learn,
feel change, grow, love, Live
Chained by their certitude, they are a slave,
they have forfeited freedom;
Only the person who risks is free

Not like the brazen giant of Greek fame
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame,
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore,
Send these, the homeless, tempest-tossed to me,
I lift my lamp beside the golden door!”

It may be misery not to sing at all
And to go silent through the brimming day.
It may be sorrow never to be loved,
But deeper grief’s than these beset the way.

To have come near to sing the perfect song
And only by a half-tone lost the key,
There is the potent sorrow, there the grief,
The pale, sad staring of life’s tragedy.

To have just missed the perfect love,
Not the hot passion of untempered youth,
But that which lays aside its vanity
And gives thee, for thy trusting worship, truth–

This, this it is to be accursed indeed;
For if we mortals love, or if we sing,
We count our joys not by the things we have,
But by what kept us from the perfect thing.

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the horror of the shade,
And yet the menace of the years
Finds, and shall find me, unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

I remember my youth and the feeling that will never come back any more-
the feeling that I could last for ever, outlast the sea, the earth, and all men;
the deceitful feeling that lures us on to joys, to perils, to love, to vain effort-
to death; the triumphant conviction of strength, the heat of life in the handful
of dust, the glow in the heart that with every year grows dim, grows cold,
grows small, and expires- and expires, too soon, too soon- before life itself.
(excerpt from Marlow, in Youth – 1902).

And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

I’ve heard it in the chillest land
And on the strangest sea,
Yet never, in extremity,
It asked a crumb of me.

The voice said, ‘There is no room for Me and Thee.’
The door was shut.

After a year of solitude and deprivation he returned and knocked.
A voice from within asked, ‘Who is there?’
The man said, ‘It is Thee.’
The door was opened for him.